Tag: creativity

The Unknown Rules to Novel Writing

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I finished NaNoWriMo in record time this year. I had written 50,000 words by November 23rd and finished my story on November 24th. I had five days to do other things at the end of the month, and one of the things I did was look back over November to figure out why my novel went so well.

The short answer is: I have no idea.

I wish I could say it was superior preparation. I did start thinking about my project in October, but I didn’t have any sort of outline. In fact, my attempts to lay out major scenes as guideposts, which worked so well for me in 2013, didn’t seem to help at all. I knew a lot of what would happen in a general way, but the scenes didn’t fit the structure I used in the past.

I wish I could say it was skill. Sure, I’ve done NaNoWriMo for 11 years in a row now, and in some ways things have gotten easier. I am better prepared for the pitfalls that can crop up, from trips and holidays, to running out of story three days into the month.

I wish I could say it was not taking any trips while writing. I wrote every day, and did not have to sleep away from home at any time. But I’ve had great success writing first drafts on the road. My second most successful November included three trips! I was away from home most of the month. And I’ve had dismal NaNoWriMos when I didn’t go anywhere physically and still struggled to get the words down.

So what happened? The muse smiled on me. That’s all I can think. The words were there, I never lacked for ideas, it was easy to get myself to sit down and write. Also, I had great fun, chuckling when my characters surprised me. I loved Ophelia’s feminist rants and laughed when the ghost told her she was “only a girl” because I knew how much that would piss her off.

While I am grateful that this draft was so easy for me to write, I keep wondering: what was the secret? Did I do something that made it go like this? Can I do it again?

The fact is, every year has been different because every first draft is different. Every novel has its own needs when it comes to the first draft. Just because something worked really well for one book doesn’t mean it will work for the next one. There is no magic formula. There are no rules.

There are three rules to writing a novel. Unfortunately no one knows what they are. — W. Somerset Maugham

How I wish this wasn’t true. While it may not be a universal experience, plenty of writers say that every book is a new adventure and that they have to figure out how to write a novel all over again, no matter how many novels they’ve written in the past.

Sometimes creation is easy and sometimes it’s hard. Sometimes I am flooded with ideas, and the words flow out of me as a result. Other times, the ideas come in fits and spurts and the gaps in between require gritting my teeth and writing anyway. Occasionally I am possessed by a muse of fire and, burning with the need to create whatever I have envisioned, I work obsessively to get it done as soon as I can.

However it happens, the most helpful thing I can do is keep showing up. When I’m tired or uninspired or distracted by other shiny things, I can still put time in with my writing project and move it forward. Even when I write something that is all wrong, I have made progress. I have learned what is not right for my story.

There are no rules and there are no tricks. There is just doing the work. We run, we walk, we limp, we crawl. But whatever we do, we must show up and move.

Writing After November: Building a Habit Despite the Finish Line

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Many people take on the challenge of National Novel Writing Month in the hopes of building a habit of writing daily. The event seems perfect for this since success requires writing at least 1667 words a day for 30 days. Years of participating in NaNoWriMo has taught me my first reaction to having written 50,000 words under the gun is to collapse. It can be hard to do any writing for the week after I finish my novel and December is spent struggling to write regularly on whatever project I want to complete next.

Fortunately, I discovered why this is a problem in Gretchen Rubin’s book Better Than Before: Mastering the Habits of Our Everyday Lives. The reason NaNoWriMo doesn’t build a writing habit is because it has a finish line. This gives us an excuse to stop doing something, even if we’ve been doing it successfully for days on end. Once we cross the finish line, our brain says “I’m done!” and walks off whistling. Our reason to write is gone.

Setting a finish line does indeed help some people reach a specific, one-time goal, but although it’s widely assumed to help habit formation, the reward of hitting a finish line can actually undermine habits. — Gretchen Rubin

According to Rubin, the trick to making a goal with a deadline help build a habit is to have a plan. Not just for the event but for what you will do right after the event. Having a clear idea of how you will transition from before the finish line to after it can help you carry what you have been doing forward and turn what was a deadline-fueled commitment into something that will last longer and become habit.

Ways to keep writing after you hit 50,000 words:

Know what’s next. Before the month is over, decide what you will be doing in December. Pick the project you will work on and set goals now for what you will do then. (For those new to the game, I recommend setting aside this month’s draft and letting it rest while you work on something else. You need to get some distance from what you’ve written before you try to revise it. I always wait until January at least before I read through my latest NaNoWriMo draft, and longer than that to start revising it.)

Change the short term into the long term. Instead of thinking, “I’m done when I write 50,000 words,” think “I’m done when I’ve written my 2000 words for the day.” Focus on today instead of forever. Success is meeting that daily goal, one day at a time.

If you work really well with a deadline, use it. To leverage this month’s activity into future activity, take on a new challenge when this one is done. You can keep using finish lines as long as you make sure you have another one on the horizon.

While I’ve faced this tricky transition for more than ten years now, this year is harder than usual. I crossed the 50K line on the 23rd and finished my story on the 24th. My brain has been thinking “I’m on VACATION!” since the moment I typed “The End”. But I am not letting it off the hook. I’ve decided to follow my own advice and keep writing what I can daily. Today I’m drafting blog posts and will not be done until I’ve got 2000 new words down. I am also going to add some more material to my draft to make it more complete before the month ends, 2000 words at a time.

I was lucky. The words really came pouring out this month and I want to keep them flowing. So I will keep showing up and keep writing and hope this steady effort can become a daily habit even when NaNoWriMo is over.

How about you? Do you have a plan for what to do after NaNoWriMo is over?

To Create Art, We Must Show Up

 

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I love starting a new project. It’s one of the reasons I’m such a NaNoWriMo fan. I get to write a whole new book in November, meet new characters, discover new worlds. Starting a new quilt is always a buzz, and I sew like crazy, inspired by the unfamiliar colors and fabrics.

New projects are exciting, but they can be challenging, too. The newborn idea is dazzling in its beauty and potential and we adore it. We dress it up in cute sleepers that say “Momma’s Favorite” and “Future Best Seller” and we coo. We walk around with a huge happy grin on our faces, so proud of our baby, anxious to get back to her when we are forced to do something else.

Then we start to work and things change, fast. The baby grows into a toddler, and what looked perfect is suddenly smearing mashed peas all over the walls and pouring milk on the cat. What happened to our sweet little baby?

Hoping to get the little monster back on track, we work even harder. To our dismay, things change even more. Suddenly, a willful teenager is there, with her own taste in music, his idea of what’s cool, and it may bear little resemblance to what we dreamt of when we held that little baby in our arms.

Now what?

Nothing we create is art at first. It’s simply a collection of notions that may never be understood. Returning every day thickens the atmosphere. — Walter Mosley

Now we take a deep breath. And we keep working. Because we are not done yet. Teens with braces and zits can blossom overnight into attractive adults. That kid who wouldn’t clean his room becomes a naturalist intent on saving the environment. We have no way of knowing how this is going to turn out.

Which is why we have to keep the faith. Keep working. Keep showing up.

Love that project through all its stages, from cute baby to adulthood.

Maybe we will get a work of art, maybe we won’t.

The kid doesn’t have a chance if we don’t give her the attention she deserves.

No Talent or Patience? You Can Still Make Great Art

Not long ago, I asked a friend if she was interested in writing a book. I was gearing up for NaNoWriMo and hoping she might join in the fun. She loves to read, she’s articulate and smart, and I was pretty sure she would be interested in writing.

I asked her if she had ever done any creative writing. She said once, long ago, but she was very bad at it.

She gave up because she didn’t have any talent.

Her misunderstanding made me sad.

As a beginner, she couldn’t expect to write a brilliant story right away. If she wanted to be a good writer, she needed more practice. What looks like talent from the outside is really lots of skill built through experience. Just like a new runner does not start by running a marathon in their first week, novel writers train up, writing lots and lots of pages before they write a book worth reading.

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People often say “I’m not talented enough to do that” when they see a beautiful painting, hear a musical performance, or read a great story. We must remember that what is masterfully done is the result of hours and hours of practice. The artist must develop their skill set before they can expect to get the results that are so admired. They must make lots of art, good, bad, and mediocre, before they can achieve great.

Which brings us to the other comment often made when someone admires a really complex or large piece of creative work: “I don’t have the patience to do that.”

I thought a lot about patience as I was putting beads on Tiny’s Elizabeth I costume. It took me hours to do, but believe me, I am not a patient woman. I don’t want things now, I want them yesterday. Much of the time I was stitching beads onto fabric, I was looking forward to being done. It was certainly not patience that got helped me finish that project. It was determination.

Skill and determination, not talent and patience.

However, there is one place where having some patience is handy: while you are learning your craft. Practice takes time.

You are going to write bad stories, hit the wrong notes, and draw crooked houses while you are learning how to write, play, and draw. Lots and lots and lots of mistakes will be made. There will be successes, too, but it may be a long time before you are able to perform at the level you dream of. This is when patience comes in handy.

If you’re not all that patient, my advice is: use it. Your impatience can drive you to work harder. The more you practice, the quicker you will get better.

So no more excuses. Get to work.

To Write More, You Must Write

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One week into NaNoWriMo, and I am reminded that if I want to write more, I need to write more.

OK. That sounds crazy. William Hazlitt said it (somewhat) better:

The more a man writes, the more he can write.

My word count for the last week shows this. Not only did I write more words per session by Day 7 than I had on Day 1, but I also got faster, writing more words in less time.

True, part of the reason for this is the deadline. The founder of NaNoWriMo believes that all we need to accomplish great tasks is a deadline and, in a way, he is right. It’s much easier to stick to my daily writing when I have a word count to hit by the end of the month than when I am working on a project I plan to finish “someday”.

But the other reason I’m doing so well? The more I write, the more I can write. I’m training up. Writing every day makes it easier to write again tomorrow.

What do you think?

Truths About Creativity: Anything Beats Nothing

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It’s the first day of November, and along with nearly half a million other crazy people, I will be writing a 50,000-word novel in the next thirty days. Welcome to NaNoWriMo. This month, I’ll be sharing quotes to cheer on my colleagues (and myself!) as we fly and slog our way through this creative marathon. With luck, the quotes I choose will apply to most any creative project. That’s certainly true for today’s.

The worst thing you write is better than the best thing you didn’t write. — Sol Saks

In other words, doing anything is better than doing nothing.

A shitty draft beats a blank sheet of paper. A wonky drawing is better than an untouched journal page. A sweater with overly long sleeves beats a ball of yarn.

So dive in. Give it try. Write your heart out and don’t worry about how bad it sounds or what other people think.

And if you’ve taken on the NaNoWriMo challenge: today is the day to listen to Nike.

Just do it.

Embracing The Function of Beauty

Why is beauty never considered a function? — Ronald Rael

I came across this thought-provoking quote in the middle of a video about green technology. While the video shows the building blocks made from 3-D printers, it asks bigger questions. The most important one confronts artists and artisans alike: is it functional or is it “just” beautiful?

This particular question resonates with me because I grew up in a house full of art and craft. Dad took photos that he developed himself. Mom made pottery and took art classes. My sister drew and painted and I learned to sew and knit. Where the line between art and craft actually is has always been fuzzy in my mind and this idea of functionality versus beauty is tied to it.

Take my mom Jane Dunsmore, for example. She mostly made functional pottery to be sold at craft fairs. Treating her creative pursuit as a business meant she needed to make money. Common sense says that people are more likely to buy pottery they can use. Pottery that is “merely” pretty or decorative isn’t going to sell.

Fortunately, Mom has been able to break away from this mold. Today she makes sculpture and tiles, a far cry from the more prosaic and practical bowls, mugs, and plates she made in the past*.

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“Singer of Myths” by Jane Dunsmore; photo by Donald Dunsmore

I asked her how she was able to escape from the functional trap and two things came up: a change in mind-set and a change in materials. She needed both to make the change.

The mindset change came from a combination of things. When she retired from teaching, she returned to her pottery studio without the pressure to make money. Also, she was bored after years of showing students how to make round things on a wheel. She gave herself permission to make the things she wanted to and she started experimenting with free-standing forms.

Initially, she was frustrated. The shapes she was interested in didn’t work well in clay — they cracked, something every functional potter considers a fatal flaw.

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“Hello, World” by Jane Dunsmore; photo by Donald Dunsmore

Then she discovered paper clay (which is clay that contains anywhere from 5 to 25% paper pulp). Suddenly, she was able to make the shapes she’d always wanted to with little to no cracking. Paper clay opened the door to sculpture for her.

Occasionally, a piece still cracks, but now she sees it as part of the work instead of a flaw. Sometimes she fills the cracks with other materials, sometimes she leaves them alone. Letting go of perfectionism, as well as the expectation that everything she makes must sell, has freed her to make the work she wants to make. Her ceramics still have a function, but now it is usually beauty first.

It is difficult
to get the news from poems
yet men die miserable each day
for lack
of what is found there.

— William Carlos Williams

Beauty is a function: for many people it is what makes something a work of art**. It’s also a key component of every craft there is. We knit and sew and embroider in order to make functional things in our lives beautiful as well.

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“Anne’s Velvet Roses” by Jane Dunsmore; photo by Donald Dunsmore. This sculpture is approximately 20 inches tall.

While I love her bowls and mugs, Mom’s heart is much more obvious in her newer work. I’m glad she’s found her way past the artificial boundaries set in her path to work that treats beauty as a function.

*She still makes bowls and mugs from time to time, but how they look is much more important to her than how they work. 
**Art historians, critics, and teachers have a much more complex definition of art but they are a pretty small part of the population.