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Learning from a Labyrinth Miniature

Now that the bed is mostly finished, I need to move on to other pieces of my Princess and the Pea diorama. Originally, there was going to be a doll on the bed reading a book titled “The Gift of Sensitivity.” It’s hard to imagine how being sensitive enough to feel a pea through forty mattresses is a gift, but it does prove that she’s a real princess. So while it could be seen as a curse, I like to focus on the gift part.

I have a half-made doll from decades ago, but it is just weird looking. I’m much better at making animals and have always been a tad creeped out by dolls, so I’m not going to include the princess.

While there won’t be a doll, I am thinking about making some clothing. My scene is of the morning after the princess fails to sleep, and there should be at least a nightgown, if not a dressing gown, somewhere nearby.

The only non-knitted dinosaur clothing I’ve made is this Queen Elizabeth I outfit.

Doll clothing is adorable when done right, but I don’t have much experience making it, unless you count dinosaur outfits. It was a great excuse to re-watch the series of videos by Gina’s Miniature Studio showing how she made the ballroom scene from Labyrinth. She bought the dolls but made most of the clothing herself.

Video starts at 13 minutes so you can see the final build.

While I won’t be able to just glue things to a doll to give the clothing the right form the way she does, her ideas of how to construct things and especially how to add details are very helpful indeed. I particularly liked how she used the frayed edge of a selvage to make tiny fringe on dress cuffs.

I have a collection of fabrics to choose from, but I haven’t decided yet what exactly to make. Time for a little historical dress research, which I am sure won’t take long. Right?

Do you prefer miniature scenes with dolls or without?

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